It all started in a narrow alley behind my elementary school. A suspicious look to check no one was coming, a deep breath and three minutes of pure anxiety. That was the first time I painted graffiti on a wall, and while the outcome wasn’t remotely satisfactory, it felt like no other thing.
Years went by and my passion for graffiti got serious, but it wasn’t until I enrolled in an arts and design high school in Lisbon that I realized my love for graffiti wasn’t just a rebellious phase, and it wasn’t a love for adrenaline and running from cops either...
... it was all about the letterforms.
Since then, my world has revolved around letters of all shapes and sizes, in all mediums and colors. Attracted to everything related to typography, from typefaces and logos to murals and calligraphy, I constantly challenge myself to work with different materials, scales and styles.
In 2020, I graduated with honors from the Master Type Design at École Cantonal d’Art de Lausanne. There I learned to merge the technical and detailed Type Design process with an expressive and creative approach to lettering pieces. My creative process always involves analogue and digital techniques, usually combining both for the finished artwork.
Handmade or digital, creative or technical, artistic or functional, are the dualities that mark me as a creative.
I’m always thrilled to join projects in which I have the opportunity to draw, paint, build and work with letters!
Don’t hesitate to reach out if you want to collaborate, share an idea, or just to chat.
Website developed using Laytheme. Set in Space Grotesk by Florian Karsten.
© João Varela, All Rights Reserved
It all started in a narrow alley behind my elementary school. A suspicious look to check no one was coming, a deep breath and three minutes of pure anxiety. That was the first time I painted graffiti on a wall, and while the outcome wasn’t remotely satisfactory, it felt like no other thing.
Years went by and my passion for graffiti got serious, but it wasn’t until I enrolled in an arts and design high school in Lisbon that I realized my love for graffiti wasn’t just a rebellious phase, and it wasn’t a love for adrenaline and running from cops either...
... it was all about the letterforms.
Since then, my world has revolved around letters of all shapes and sizes, in all mediums and colors. Attracted to everything related to typography, from typefaces and logos to murals and calligraphy, I constantly challenge myself to work with different materials, scales and styles.
In 2020, I graduated with honors from the Master Type Design at École Cantonal d’Art de Lausanne. There I learned to merge the technical and detailed Type Design process with an expressive and creative approach to lettering pieces. My creative process always involves analogue and digital techniques, usually combining both for the finished artwork.
Handmade or digital, creative or technical, artistic or functional, are the dualities that mark me as a creative.
I’m always thrilled to join projects in which I have the opportunity to draw, paint, build and work with letters!
Don’t hesitate to reach out if you want to collaborate, share an idea, or just to chat.
Website developed using Laytheme. Set in Space Grotesk by Florian Karsten.
© João Varela, All Rights Reserved
[01] Klinger–Type Type–Design 2020
This sharp serif style surprised me for its unique singularities and details. It had a distinctive, aggressive feeling while at the same time, a steady and very geometric sense. I developed this source with a revival exercise guided by François Rapppo at Écal Master Type Design.
The original designer was Julius Klinger, an Austrian graphic and type designer. He witnessed the Vienna Secession, and the Jugendstil marked his work. Klinger Type is, at the same time, a stylistic and rational approach. The symmetry and geometric curves contrast the overly-designed serifs, terminals and distinctive details.
[02] Hooper–Condensed Type–Design 2022
Clothing line design for the 2022 summer launch of Hoopers PT.
I was challenged to design some very bold typographic compositions with basketball slang and sayings.
Starting from scratch, I first designed a custom display typeface. Inspired by a literal basketball ball, I like the contrast between straight lines and round curves. The letters are condensed to express the vertical movement of the sport also increased by the high middle bar.
I design two masters to make some width adjustments possible.
The compositions were designed by only cutting, switching, and moving the type around in two dimensions. The lettering pieces are very graphic and mix the movement in sports with streetwear.
Photos by: Chris Costa
[03] Jab Variable Stencil Type–Design 2023
[01] Klinger–Type Type–Design 2020
This sharp serif style surprised me for its unique singularities and details. It had a distinctive, aggressive feeling while at the same time, a steady and very geometric sense. I developed this source with a revival exercise guided by François Rapppo at Écal Master Type Design.
The original designer was Julius Klinger, an Austrian graphic and type designer. He witnessed the Vienna Secession, and the Jugendstil marked his work. Klinger Type is, at the same time, a stylistic and rational approach. The symmetry and geometric curves contrast the overly-designed serifs, terminals and distinctive details.
[02] Hooper-Condensed Type–Design 2022
Clothing line design for the 2022 summer launch of Hoopers PT.
I was challenged to design some very bold typographic compositions with basketball slang and sayings.
Starting from scratch, I first designed a custom display typeface. Inspired by a literal basketball ball, I like the contrast between straight lines and round curves. The letters are condensed to express the vertical movement of the sport also increased by the high middle bar.
I design two masters to make some width adjustments possible.
The compositions were designed by only cutting, switching, and moving the type around in two dimensions. The lettering pieces are very graphic and mix the movement in sports with streetwear.
Photos by: Chris Costa
[03] Jab Variable Stencil Type–Design 2023